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By Rajiv Kaushik

Art and Institution examines how for Merleau-Ponty the murals opens up, with no conceptualizing, the development of being. Rajiv Kaushik treats Merleau-Ponty’s renderings of the paintings – particularly in his later writings throughout the interval starting from 1952-1961 – as a direction into the being that precedes phenomenology.

Replete with references to Merleau-Ponty’s reflections on Matisse, Cézanne, Proust and others, and that includes Kaushik’s personal unique reflections on numerous artistic endeavors, this publication is guided by means of the proposal that artwork doesn't iterate the findings of phenomenology a lot because it permits phenomenology to ultimately become aware of what, as a question of precept, it seeks: the very beginning of expertise that isn't itself to be had to concept. Kaushik is hence considering the ways that the murals restores the main of establishment, ahead of the intentional constructions of realization, in order that phenomenology may perhaps settle questions pertaining to ontological distinction, the origination of importance, and the connection among interiority and exteriority.

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Art and Institution: Aesthetics in the Late Works of Merleau-Ponty (Continuum Studies in Continental Philosophy) by Rajiv Kaushik


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